Social Class Struggles in French Films

In 1962, the consult destroyer of cinema, (Sontag 150) Jean-Luc Godard, released unitary of his close to acclaimed and poetic dissipates entitled Vivre Sa vie (My Life to Live). This is one of the closely all important(predicate) films in french cinema history, and the techniques Godard used ushered in the New Wave of cut film. Winning Mathieu Kassovitz Best music director at the 95 Cannes flick Festival and going on to be an instant supremacy across France, La Haine body one of the most arguable French films ever made. The companionable problems in France which caused civil excitement in the film ar still very pertinent today. Chaos, directed by Coline Serreua, was awarded some(prenominal) the Peoples prize and Critics pick award at the 02 Norse International Film Festival, and was alike nominated for best film. (Unifrance.org) Although these directors from incompatible eras of film have diverse cinematic styles and narratives, these three modern movies sh are in special K the theme of a ad hominem journey through the social kin struggles of France. Socioeconomic class struggles have been a major theme in any facets of French art for a very long time, and these films show up this theme in enkindle ways.\nVivre Sa Vie is, as Godard himself stated, a film in twelve scenes, each a coup doeil into the life of a charr along her journey into a career of prostitution and its consequences. It is one of Godards most heavy films, about the social pip of women and their struggles in an unsympathetic origination one of the most powerful films of the French New Wave.(ClassicArtFilms.com) In Vivre Sa Vie, Godard used silent film style written record and creative camera shots that stomach at times reach it feel as though the viewer is an actual beholder in the room during scenes. The scenes in the movie depict detail philosophical conversations which were likely important turning points in the temper Nanas life. Godard used an obs e...